What happens when pigment is applied? When stylus drags, delineating paper, space, field, plane? There is of course, the action itself; the physical movement and rearrangement of material conditions. Yet there is also the secondary element; the implications of that movement. This is where the composition is formed, either through intention or process-driven exploration and elemental adaptation.
There is tension, movement, action, direction, praxis, in the line:
Where does it go from there?